Listening to Finocchio’s/Roswaal’s VA steal scenes is a pleasure as always…

I think . . . [checks] Yep, that’s Koyasu Takehito, who’s been in the seiyuu business for ~35 years and has a very long and varied resume. I think I encountered him first as Rezo the Red Priest in the first season of The Slayers, from the early 1990s.

Very few of Ford’s policies seem to be evidence-driven or respectful of reality, so why should this one be any different?

I believe the name for those were “dragoons”. I thought about it, but my understanding was they were armed with muskets. Since firing a rifle from horseback usually meant you missed, they would dismount before engaging. I suppose it’s not a stretch to have dragoons that only carried swords, but we also know that they had 5000 troops in that battle and even if they doubled up the riders that’s over 2000 horses. We saw, maybe 2 dozen in the retreat

Dragoons were a more recent incarnation. I believe there were other earlier ones.

Basically what went wrong with this scene in Reincarnated Aristocrat, though, is that they went for too much detail in a crowd scene that would have been much better off with less. If you look at older anime from the hand-drawn cell era, they didn’t try to individually animate every member of a large group like an army. Exaggerated atmosperic perspective and depth of field, plus judicious use of detail, reduced the parts of the army away from the main characters to a sort of dark mass with the occasional helmet or horse-leg movement—and that was okay, because we didn’t care enough about those people to focus on them individually. Currently there’s a fad for using computer animation to spam copies of the same model, often poorly animated, to make up the numbers, and it doesn’t work and tends to be very noticeable. Hopefully someone in Japan will eventually figure that out, and they’ll return to the more painterly approach.

(In this case, of course, they didn’t even spam enough copies, so even worse.)

And if they have horses why are they infantry and not cavalry

Because they’re not trained to fight on the horses, and the horses may not be combat-trained either. Infantry throughout history has often used horses or mules for transport, then gotten off them for the actual fighting.

To add to the list of criticisms: They knew what route they would be retreating along, so why were there no traps? Even if digging a concealed pit would have taken too long, a few chevaux de frise, tactically placed, could have done some damage. Or give the rearguard some caltrops to toss behind them. Horse archers could have helped a lot, but would probably have been too much to ask for.

I get the impression that the person responsible for the source material for this series doesn’t have even my passing interest in the nuts and bolts of medieval warfare.

Dan Da Dan and JJK are completely different types of shows.

JJK’s main selling point is the quality of its combat animation. The fight scenes are really well-executed, so it gets high ratings from people who like that kind of thing. Plot and characters are bog-standard shounen fighter types whose names and backstories I forget half the time because they’re not all that memorable. If you swapped everyone but the MC out with characters from, say, Chainsaw Man, I doubt I would even notice.

Dan Da Dan, on the other hand, is character-driven. The interaction and budding romance between the main characters is the point of the show, and the fighting has so far been subservient to that. It also doesn’t take itself at all seriously, unlike JJK.

For an isekai, it’s amazing how many different games we see aside from the titular Shangri-La Frontier.

Now you have me trying to count.

• The trash game Sunraku is playing at the very beginning, where he gets to beat on the annoying princess for a few minutes as the end credits roll, after fighting the final boss while wearing a luchador mask and not much else
• The fighter game where the users had collectively decided that exploiting bugs was the point
• The realistic-to-the-point-of-not-being-fun fantasy game where he met Pencilgon
• And now this mecha game.

.

Did I forget any?

And whoever buys it won’t also have some kind of ulterior motive? Chrome isn’t likely to be a money-maker on its own. If it were, Firefox would have less trouble staying afloat. Anyone who buys Chrome most likely will have plans for it that are no more in the end-user’s best interest than Google’s.

But even when arguing from a practical standpoint it’s next to impossible to find a job that will hire a person with no address and possibly no government ID (need an address to get documents!)

There are ways around that part, if we cared enough to implement them. There’s a street in—I think it was Italy?—that actually has no physical existence. Addresses on that street are used to give people with no permanent housing something to write on forms that ask for an address, so they can collect mail, including legal documents and government support checks, or apply for jobs. That doesn’t solve the problem of living space directly, of course, but it might be enough to provide a starting point for some people. Or it would if we had enough reasonably-priced housing.

“No evidence of foul play” just means there’s no proof that anyone set out to kill her on purpose. It doesn’t mean that there’s no evidence of negligence, although the police may not think they have enough to bring criminal charges in that vein, either. The burden of proof in a criminal court is high, and there’s no point in wasting the court’s time if there isn’t enough evidence to convict anyone.

Civil court has a much lower burden of proof, and I hope the victim’s family sues Walmart’s pants off, because it really does look like there was an issue either with the equipment or with employee training that contributed to this.

All browsers using Google’s Blink engine are distasteful. Vivaldi is less bad than most, despite being closed-source, but to echo many here, you’re better off with almost any Firefox derivative. Libre Wolf has a good rep. I use Pale Moon, but its old-fashioned interface isn’t for everyone.

Depends on how much effort the average scammer puts into remembering the prospective victims that don’t bite. My guess is that they don’t waste too many brain cells on that.

I haven’t read the manga, but based on the show, the end is…alright.

The Trigun Maximum manga wasn’t finished at the time the series aired, so their endings are unrelated. The last 4-5 episodes of the anime are complete originals. (There were two different manga series, and I think the original Trigun manga had more of the goofy-villain-of-the-week stuff, while Maximum, which picked up where the first series left off, was more serious.)

It almost gives off the vibes of a 20th-century Western-made Saturday morning cartoon (except that for some reason the MC’s relationship with his mecha-ude reminds me of the one between the lead in Kill La Kill and her seifuku). I’m not quite sure why—maybe it’s the lack of any real moral ambiguity? Anyway, many of those could not do cool or edgy to save their lives.

The problem isn’t that it didn’t. The problem is that anyone thought that it should have.

It depends on the VM, but some of them have working graphics hardware acceleration. Virtualbox should be relatively easy to set up with modern Windows guests, but isn’t free for commercial use. qemu/kvm is free for all uses, but may require some tinkering to get everything to work. qemu also supports video passthrough—using the VM to drive a second video card installed in your machine—which some gamer types prefer.

If all we cared about was saving the lives of the already-addicted, all we’d have to do is prescribe medical-grade opioids of known dosage to anyone who says they’re an addict, and the death rate would instantly plummet—not to zero, but to something around the much lower status quo from before the “epidemic” began, when prescription opioids were more easily available. Most of these people die because they’re taking adulterated drugs, or drugs of unknown concentration that they can’t dose properly. With a cheap, secure supply, they’d have more leeway to sort out other aspects of their lives, and some of them would eventually quit the drugs voluntarily.

Problem is, we’re more worried about people not becoming addicted in the first place, and everyone seems to think that the best way to do that is to restrict the legal supply. The two pull in opposite directions.

If we can find a better way of fixing the second problem, maybe we can fix the first one too, but I’m not holding my breath. In the meanwhile, governments will insist on grasping at straws in order to deal with the unintended consequences they themselves have created, and some of the straws they clutch at are going to be downright evil, like this one.

My question at that point would be, “So, did you sell a house in Vancouver, win the lottery, are you related to Galen Weston or someone with similar assets, or is artisan-made soap just that profitable?” Or, more likely, is the show financing them in return for permission to film?

Moose are technically deer (taxonomic family Cervidae, which also contains reindeer, red deer, roe deer, etc). And a big bull can weigh almost a (US conventional) ton. I don’t know whether that’s enough to trash a modern semi (based on an old memory of an apparently undamaged semi and a dead moose on the shoulder of an Ontario highway in the 1990s, I’d guess probably not, or at least not always), but I wouldn’t want to be the driver of the semi, either. Hitting them in an ordinary passenger vehicle—like any Tesla product—is something you really don’t want to do.

Yup, that’s exactly the one, thanks.

It’s one of those things that needs careful handling and is unlikely to get it. I can see it having some value in therapy, but only if there is, y’know, an actual therapist involved who can make an informed call as to whether their patient will be helped or harmed by talking to a digital fake of a loved one. Instead, we’re likely to see a ham-fisted “allow all” or “forbid all” call by regulators.